To Blog or Not to Blog? What’s Coming for 2016

Have you ever wished you could clone yourself, so that you could do everything you wanted to do?

Yep, me too.

This is the longest I’ve ever gone without blogging, and it’s amazing how much I’ve missed it. I’ve missed the fun of challenging myself to write creatively about grammar. I’ve missed the conversations I’ve had in the comments. I’ve missed the joy of discovering wonderful new posts written by my fellow bloggers (because I haven’t had time to read, let alone write).

But I’m happy to have had this break, because I’ve been able to avoid missing other things that are important in my life.

And I’ve come to a realization: With everything I’m trying to do right now, it’s just not possible for me to blog every week any more. In fact, I may only be able to blog once a month sometimes.

And that’s okay.

What do you mean, it's okay? I'm having a genuine Shakespearian crisis over this here...

What do you mean, it’s okay? I’m having a genuine Shakespearean crisis over this here…

Like me, you’ve probably run across a zillion articles that might as well have titles like

Start a Blog or Lose All Hope of Ever Selling Yourself!

Blog Every Day or Google Will Rip You to Shreds and Eat You!

Master Building Your Platform if You Don’t Want to Be That Kid Who’s All Alone At Recess!

What a bunch of hooey. (I love that word!)

I firmly believe that writing good, meaningful content is more important than racing on a writing treadmill to stay at the top of the hit list.

My initial goal in blogging was to share what I know about communication in a fun and informative way. I hope I’ve done some of that.

But I’ve discovered along the way that I have gained another complementary goal in blogging that’s just as important – to read and learn from my fellow bloggers and to share their words with others.

So I’ve decided to make a change in my approach this year. I’m still going to write creative posts about grammar, hold conversations about communication with other writers, and let you know about helpful writing resources. But I’m going to do it less often. I’ll be posting on a Monday if I have a post for the week. I’ll also be writing occasional posts about editing on my editing website.

In parallel, I’m going to make more use of Twitter as a tool to share words from other writers and editors.

If you’re interested in learning more about communication from people other than me (as well as from me, I hope!), I invite you to follow me at @dbwcomm. I promise to make it worth your while – no clickbait articles or promotional madness!

Thank you for being so supportive of my blog. I hope to see you here again before January is out!

Cheers,

Sue

Friday Flashback: Attack of the Jargon Gorgon

I’m sorry that things have been quiet here lately — I’ve had a number of projects on the go, and unfortunately there’s been no time to write a blog post. It’s frustrating, because I want to get going with my upcoming series on Captain Comma and her crew. With the holidays coming up, I suspect she’ll be making her debut in the New Year. Stay tuned!

I’ve been slogging my way through a lot of business writing this week, and it made me think of this story I posted back in July 2014. It feels like the right post for a Friday after a long week. I hope you enjoy it!

Attack of the Jargon Gorgon

As he climbed the marble staircase of the Temple of Empowerment, Perceiveus prepared himself to face his greatest foe: Mesnooza, the Jargon Gorgon. Her confusing words had paralyzed many heroes before him. Perceiveus was determined not to make the same mistake.

He reached the top and found Mesnooza waiting for him in the torchlit chamber. He averted his gaze, catching only a glimpse of her glittering eyes. Her features were hidden behind the wall of writhing serpents that gushed from her head like oil-slick tongues. He didn’t need to see the rest of her to know that she was hideous.

Medusa by Caravaggio

“So, your stakeholders have finally sent you to deliver the goods,” said Mesnooza, affecting boredom. “Well, you may have an impressive body of work, but you’re just the flavour of the month to me.”

“We hope you had a game plan before you took on this stretch assignment,” hissed one of her serpent locks.

“You can fire away, but you’ll never be buzzworthy,” pronounced another serpent.

“You think you’re bleeding edge, but you’ve had your heyday,” taunted a third serpent.

Perceiveus ignored the serpent chorus. He circled Mesnooza with caution as her serpents stretched towards him. He flung a dagger at her heart, but she danced away from it.

“I hope you level-set your tiger team, because a win’s not in the cards for you,” sang Mesnooza. Her serpent speakers echoed her.

“It’s time for you to eat a reality sandwich, and stop chasing butterflies.”

“Should have done your due diligence before giving in to blue-sky thinking.”

“Those red flags might have warned you that this was a career-limiting move.”

Perceiveus struggled to concentrate. He grabbed a torch from the wall and thrust it at the nearest serpent. It cried out in pain and went silent. Enraged, a nearby serpent bit his arm, denting his armour. Another serpent whipped him across the face, and he staggered back.

“I don’t think you’re giving this one-hundred-and-ten percent,” snarled Mesnooza, upset by the fiery attack. “Time to go back to the bush league.”

“Feeling hot under the collar?” sneered a serpent. “You’re on a burning platform, and you’re dealing with a bag of snakes.”

“Face it, you’re behind the eight ball. Time to pay the piper.”

“Too many balls in the air. You can’t hack it,” spat another serpent.

Hack it. Sword! In the confusion of battle, Perceiveus had forgotten his primary weapon. He drew his blade and began slicing through his reptilian enemies.

“You might think you’re making an impact, but I’m not low-hanging fruit,” panted Mesnooza, as she dodged his blows. Her serpents were not faring as well. Their voices became weaker as their numbers diminished.

“You might be gaining traction, but you haven’t moved the needle,” one murmured as it went unconscious.

“You think you have your ducks in a row, but we’re playing hardball,” whispered another faintly.

“Time to…think outside the box!” croaked a wounded serpent, before Perceiveus cut its neck clean through.

Mesnooza was exhausted. No one had ever stood up to her power, and she did not know what to do. Her single remaining serpent seemed to realize the game was up.

“Let’s get down to brass tacks and bottom-line it,” said the serpent. “It’s cut and dry that it’s time to put this to bed. Time to fish or cut bai-”

Perceiveus looked up from the serpent’s severed head. “It’s over, Mesnooza.”

But Perceiveus had made the mistake of looking Mesnooza in the eye. Now that she was no longer hidden behind her jargon serpents, Perceiveus could see her true face. She was the most beautiful woman that he had ever beheld.

“I’m sorry I caused you trouble,” she said. “I feel so free now, like a great weight has been lifted from me.”

Perceiveus was stunned into silence.

While Perceiveus stared, Mesnooza slipped away through a side door and escaped from the temple. Who knew that I could stop men in their tracks without my jargon? she thought. Enough of that ugliness. It’s time for me to start a new life. And I’ll create a new name to go with it. Hmmm. I’ve always liked Helen…

***

Image: Medusa by Caravaggio. Source: Wikipedia.

I hope you enjoyed my retelling of Perseus and Medusa. This story was inspired by my difficulties in cutting through jargon in a business environment. What jargon have you heard that brings on your fighting spirit?

 

© Sue Archer and Doorway Between Worlds, 2015

Conversation Corner with Carrie Rubin, Author of Medical Thrillers

Carrie Rubin

Carrie Rubin

I am so pleased to be hosting Carrie Rubin for today’s Conversation Corner. I love Carrie’s blog The Write Transition, which showcases her wonderful insights about life and writing. Carrie’s blog has many followers, and yet she somehow finds the time to provide thoughtful answers to every single comment. I am frankly in awe of her mastery of all things media.

Carrie is also a truly funny woman who happens to write novels about disease and serial killers. (Go figure.) Her wonderful second novel Eating Bull has just been released, and I asked her if she would come on by to chat about her experiences writing in the thriller genre. Here is our conversation about teenage heroes, book promotion, health, and funny words.

Carrie, I love the beginning of your About page:

Physician, public health advocate, writer. I believe every experience is worthwhile, even if our paths deviate from where we started.

I hope you don’t mind if I steal that second sentence as an inspirational quote. 🙂 I’ve always felt that whatever we learn is never wasted, since it helps us grow later in ways we couldn’t have foreseen. How have your experiences as a physician contributed to your career as a writer? And what prompted you to make that transition?

Please do take advantage of that quote! Other than my teen sons parroting me in a mocking falsetto, no one ever quotes me.

My medical background plays a big role in my writing, first as a write-what-you-know tool and second as a platform of authenticity. This legitimacy is particularly important for my newest novel, because the social issue at play in Eating Bull is obesity and the food industry’s role in it. Readers want to know the author has experience in the area, and between my years of clinical practice and my public health research, I do.

I have always wanted to write novels. In fact, I wrote my first book fourteen years ago. But as so often happens, life got in the way. So, during a career transition from clinical to nonclinical medicine a couple of years back, I jumped off a cliff and dived into writing instead. (Thanks to the amazing support of my husband whose words at the time were, “It’s now or never.”) Of course, I keep all my medical licensure and public health requirements up to date for life’s next chapter, as well as ties to my hospital of employment, but for now I’m enjoying the life of a writer.

It’s clear in Eating Bull that your authenticity has served you well – including your experience with teen boys! Your main character, Jeremy, is so well drawn. What helped you get into his mindset? And how did you handle the ongoing switch between his point of view and that of adult health worker Sue?

Thank you. My oldest son was fifteen years old when I wrote the book, so having a character the same age as my son helped me get into a teenager’s mindset. Plus, my son served as one of my beta readers. I wanted his opinion on whether Jeremy rang true to his age. If he thought something was off, I fixed the issue. This was particularly helpful in relation to Jeremy’s video game playing and his interactions at school.

Since I enjoy writing in a third-person limited narrative, I had to make sure Sue’s chapters sounded different from Jeremy’s. A 48-year-old woman will have different insights and reactions than a 15-year-old boy. So I tried to don the personality of whoever’s point of view I was writing from. Of course, that meant thinking like Darwin, too. Getting into the mindset of a killer makes for an interesting experience!

I’ll bet it does! I’ve always thought writing thrillers must be challenging because of its inevitable focus on the negative side of human nature. How do you get into that mindset? How do you shake it off? And have you come across any useful resources that helped you write this type of thriller?

I’m not sure I do anything specific to get into the mindset, but when I’m focusing on the negative, particularly when writing from the antagonist’s point of view, I remind myself of Stephen King’s words:

If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway.

—Stephen King, On Writing

In other words, I try not to censor myself. As much as my antagonist’s actions might disturb me, they are what fuel the story, and I need to be willing to go there.

I’ve read a variety of books on the craft of writing, but two of the most helpful for me in terms of writing thrillers are Story Engineering and Story Physics, both by Larry Brooks. Structure is very important when drafting thrillers, and I like to have it all laid out beforehand. Brooks’s books help me navigate how to do that.

As you know, I’m a fan of Story Engineering as well. It seems to me that engineering is a perfect concept for a lot of the activities involved in writing a book, including the engineering involved in coordinating its release. How do you handle all the various bits and pieces that are involved in promoting your work?

Honestly, that part’s a bit stressful for me. There is much to coordinate, both online and face-to-face. In the weeks leading up to the book’s release, I:

  • wrote blog posts and articles, either for my own site or elsewhere
  • sent out ARCs (Advance Reader Copies)
  • updated my various platforms and included the book’s links
  • contacted potential reviewers
  • designed bookmarks and other promotional items
  • got emails ready to send to local newspapers, alumni newsletters, and professional contacts
  • set up book signings
  • created posters for book signings
  • developed a “talk” should any speaking engagements arise
  • explored other marketing venues

Eating BullAnd, of course, during all that I was reading through the final electronic and print versions of Eating Bull before my publisher gave it the official go. It’s amazing how a typo can slip past 2,000 previous readings!

But I handled it like most of us do: making lists and tackling the elephant one bite at a time.

That sure is a big elephant! You’ve talked a lot on your blog about your introversion. As an introvert, how do you keep yourself from running out of energy with all these activities?

The busy work I listed above doesn’t really drain me. It’s the social interactions that do, particularly the face-to-face ones. So now that the book is released, and I’ll be facing more in-person promotion, I’ll need to make sure I get wind-down time every night, either in the form of a good TV show or some reading. Those always help quiet my mind and recharge my batteries, especially if they are followed by a good night’s sleep and a morning workout.

Sounds like an excellent plan. I know I need that recharging time after a busy social day (although I’m still struggling with the workout part). 🙂

You’ve mentioned that the face-to-face interactions involved in promotion are particularly challenging for you. I’ve noticed that you are active on Twitter and Goodreads and comment on many blogs. Do you find communicating through social media to be easier? And how do you manage to keep up with all your online platforms?

I do find interacting on social media much easier. No eye contact, no small talk, and communication in short snippets—perfect for an introvert. In her book Quiet: The Power of Introverts in a World That Can’t Stop Talking, Susan Cain mentions that many introverts thrive online. That being said, I’m a big girl, and I can function in the real world when needed. It just saps my energy more than online communication.

I devote a couple of hours each day to social media, but I don’t keep up as well as I’d like. I do best with Twitter and my blog, but even the latter I find challenging since I follow so many others. While I can’t catch every post, especially on the more prolific blogs, I try to stop by when I can. It’s always fun to see what others are up to, and I’ve found the blogging community to be genuine and supportive. In fact, I’ve ‘met’ remarkable people from all over the world.

I wholeheartedly agree – the blogging community has been wonderful to me as well. And of course I got to meet you! 🙂

I have one last question (one that will hopefully help this introvert impress people at awkward social events): Do you have a favourite obscure or funny medical term?

This is one of those questions where you can’t think of a great answer at the time but later come up with something perfect, usually at three in the morning. But here are a couple of medical terms I like: Borborygmus, which is the term for stomach growling, and myokymia, the term for involuntary muscle twitching, like when your eyelid keeps contracting. And if you have both at the same time? Well…you might want to skip your next meeting.

Thank you so much for having me today, Sue! I had a lot of fun, and I’m honored to be a part of your fabulous blog. For anyone who hasn’t seen Sue’s Rogue Word series yet, it’s definitely worth a look. Lots of great writing tips there. I found the s and apostrophes post particularly helpful.

Thanks, Carrie! I’m glad that my series was helpful for you. And thank you so much for stopping by DBW today and sharing your experiences with my readers!

***

For those of you who enjoy thrillers, I encourage you to take a look at Eating Bull.

And if you’re interested in reading previous conversations on various communication topics, you can find them here. Thanks for reading!

Ode to a Typo

Typo by Roberto Blake

I red four you

The hole way though

Write form page on

Two the end of page too

I should of scene

You hidding their

I do now how to spell

I swear!

 

Got typo troubles? Here are three tips that can help:

  1. Leave some time between writing and reviewing, even if it’s only a few minutes.
  2. If you’re writing online, review it on paper.
  3. Read it out loud.

Or, if all else fails, just say “I meant to do that.” 🙂

***

Amazing image by Roberto Blake

I’m experimenting with posting quick tips — let me know what you think! (And yes, that is my attempt at a poem.)

Do you have your own typo tales or tips to share?

 

© Sue Archer and Doorway Between Worlds, 2015

The Ghouls Have Returned!

Ghouls just wanna have funHappy Hallowe’en, everyone! I hope you are having a ghoulishly good time. I will shortly be shuffling through the streets with my son in search of brains, but before I do, I want to share some frighteningly fantastic news.

My grammar story “Abracadabra! Addressing Affect vs. Effect” has been published in the fall issue of The Ghouls’ Review by Grammar Ghoul Press. If you’re in the mood for creative reading treats so delicious they will pop out your eyeballs (ah, those pesky loose eyeballs), come by and haunt this fiendish site!

(There is also a monstrous picture of me, where you can see what I look like at midnight.)

Ghoulishly yours,

Sue

(Image credit)

DBW Review: Description & Setting by Ron Rozelle

Description and SettingI have a confession to make: I’m one of those readers who has been known to skip over passages full of description to get to the “good stuff.” I love the story of The Lord of the Rings, for example, but my attention wanes during those meandering sections sandwiched between poignant character moments and violent epic battles. With my avoidance of excessive elaboration (and my admittedly poor visual observation skills), I sometimes find it challenging to imbue my own writing with the right level of descriptive pizzazz.

And I know I’m not the only one. So I thought it was time to read through the book Description & Setting by author and creative writing teacher Ron Rozelle. His book is part of the Write Great Fiction series by Writer’s Digest, which features some helpful books on a variety of writing topics. I hadn’t read this one yet, and I thought it could be helpful for those of us who feel descriptively challenged.

What I Liked

This book covers a wide variety of topics relating to description — even more than I anticipated. Rozelle talks about how to describe both characters and settings. He includes tips for improving dialogue as well as techniques to strengthen exposition. He focuses on the small things, such as the use of adverbs and placement of punctuation, as well as the large things, like establishing the big picture of time and place. There’s a useful chapter on sensory description that includes lots of great examples.

I especially enjoyed his chapter “Too Little, Too Much,” which includes some fantastic thoughts on how to avoid repetition, prevent yourself from wandering off track, and recognize when no description at all is perhaps the better approach.

What Could Be Better

This book is an odd mix of wordiness and not enough detail. The introductions to some of the chapters are lengthier than they need to be, while many of the subtopics are not covered in as much detail as they could be. I was looking forward to the chapter on different considerations for different genres, for example, but most of the tips in there are straightforward common sense and didn’t really add to my knowledge.

It also suffers from an issue that I find common across many writing books – the examples are taken from older works, and samples from genre fiction are neglected in favour of literary fiction. Since most of the writers I know write genre fiction, I find this to be an unfortunate gap.

Favourite Learning Moment

In Rozelle’s chapter “Using Description and Setting to Drive the Story,” he talks about how to use description and setting to magnify a theme. But instead of focusing on the usual idea of an overall theme, he points out that each scene in the story has its own theme and that you can focus on one scene at a time when determining how the description can be improved. I loved the practical nature of this approach.

Many people come away from their English classes thinking that literary themes are a precious few haughty ideals—like pride, truth, or equality—that are chiseled deep into granite…My idea of a theme is anything that the writer is attempting to convey in a particular scene. So, instead of everlasting love, your theme in the sixth scene of your story might be trying to get a date. (p. 154)

Verdict

If you don’t have a lot of practice writing fiction yet, or you are looking for a general overview on the topic of description, then I believe this book will be helpful for you. But if you are searching for more in-depth content, I would look for detailed articles relating to your specific interests rather than buying this book.

***

If you are interested in reading about other writing resources, you may want to take a look at my Resources page. One of these resources is Self-Editing for Fiction Writers, which has a great chapter on showing vs. telling.

How much description do you like to see in the books you read? What are some of the challenges you face when describing things? Are there techniques that have helped you?

 

© Sue Archer and Doorway Between Worlds, 2015

Blast From the Past: Back to the Future Tense

In honour of Back to the Future Day, I put the pedal to the metal in my retro DeLorean and went back in time to August 2014. I needed to save my grammar story saga on verb tenses before it faded out of existence.

The Time Traveller’s Verbs

Part 1: Telling Campfire Tales

Part 2: How We Changed the Past

Part 3: To Save Our Future

You just never know when you will unexpectedly travel through time and suddenly need to explain what happened the day before next week. So if you missed this the first time around, you may want to take some notes.

Off to try out my hoverboard now…

Back to the future 2 hoverboard

Image from the movie Back to the Future 2, Universal Studios